Spanish Baroque Era Painter, 1635-1675 was a Spanish painter of the Baroque period. Antolinez's early training as a landscape artist may have been under Iriarte. Later, when he moved to the court in Madrid, he entered the studio of Francisco Rizi. His '"haughty character and sarcastic personality gained him many enemies among his contemporaries". Some note he played maddening jokes on his colleagues Claudio Coello and Cabezalero as well as Itizi, whom he called painter of wall ornaments, in allusion to the latter's decoration of the hall of comedies in the Palace of Buen Retiro  Related Paintings of Jose Antolinez :. | St Rose of Lima before the Madonna | The Transport of Mary Maglalen | Picture Merchant | The Picture Merchant | Immaculate Conception |
Related Artists:
Victor DeGrailly
painted Passamaquoddy Bay, Maine in c1840
George Richmond
English Painter, 1809-1896 Painter, draughtsman and engraver. He was a precocious draughtsman. In 1824 he entered the Royal Academy, London, the same year as Edward Calvert, who was a part-time student of Joseph Severn. Richmond first exhibited at the Academy in 1825 and that year met William Blake in the Highgate house of John Linnell (ii). Like his lifelong friend Samuel Palmer, Richmond fell under Blake's spell, comparing him to the Prophet Isaiah and forming close friendships with Blake's other disciples, including Calvert. He visited Palmer at Shoreham, chiefly in the summer of 1827, and both he and Calvert became prominent members of Palmer's band of ANCIENTS, who frequented the Kent village in the late 1820s and early 1830s. The tempera panel Abel the Shepherd (1826; London, Tate) is typical of Richmond's early paintings, which reflect the pronounced influence of both Blake and Palmer. They are painted in an archaic style and include Christian and literary themes and high-minded if obscure genre subjects such as the Eve of Separation (1830; Oxford, Ashmolean). The human figure was central to these pictures as it was not for Palmer, who expressed sentiment through landscape motifs. Richmond was also active as a draughtsman and miniaturist during this period; his Christ-like head of Palmer, in watercolour and gouache on vellum (London, N.P.G.), dates from 1829.
jacques d agar
Jacob d'Agar, född 1642 i Paris som Jacques d'Agar, död 1715 i Köpenhamn, var en fransk porträttmålare. D'Agar var elev till Ferdinand Vouet. 1675 blev han ledamot av konstakademien i Paris; men efter det nantesiska ediktets upphävande 1685, i egenskap av reformert och därigenom utesluten och tvungen att gå i landsflykt, begav han sig över England till Köpenhamn, där han av Kristian V utnämndes till hovmålare. Mycket anlitad av hovet undanträngde han med sitt franska maner det dittills i Danmark härskande holländska porträttmåleriet. Ett av hans många porträtt av Kristian V finnes på Gripsholm.